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July Music

Frances Willard


George Westinghouse


Thomas Edison


Rebecca Salome Foster


James Whitcomb Riley


George Eastman

This was one of George Eastman's favorite songs.


Theodore Roosevelt

Teddy Roosevelt was very outspoken about his faith and his favorite hymn to sing--even though he didn't have a great singing voice--was How Firm a Foundation.


Hull House Songs (click the link)

Jane Addams


General Pershing


Henry Ford


Martha Berry


Maud Ballington Booth

Maud was a leader of the Salvation Army and music has always played a big part in their service. Here is a montage of music performed by the Salvation Army.


Wilbur and Orville Wright


Helen Keller

"On the evening of February 1, 1924, the New York Symphony Orchestra played Beethoven's Ninth Symphony at Carnegie Hall in New York," writes the site's author Shaun Usher. "Thankfully for those who couldn't attend, the performance was broadcast live on the radio. A couple of days later, the orchestra received a stunning letter of thanks from the unlikeliest of sources: Helen Keller." The first ecstatic paragraph of her missive, which you can read whole at the original post, runs as follows: 

I have the joy of being able to tell you that, though deaf and blind, I spent a glorious hour last night listening over the radio to Beethoven’s “Ninth Symphony.” I do not mean to say that I “heard” the music in the sense that other people heard it; and I do not know whether I can make you understand how it was possible for me to derive pleasure from the symphony. It was a great surprise to myself. I had been reading in my magazine for the blind of the happiness that the radio was bringing to the sightless everywhere. I was delighted to know that the blind had gained a new source of enjoyment; but I did not dream that I could have any part in their joy. Last night, when the family was listening to your wonderful rendering of the immortal symphony someone suggested that I put my hand on the receiver and see if I could get any of the vibrations. He unscrewed the cap, and I lightly touched the sensitive diaphragm. What was my amazement to discover that I could feel, not only the vibrations, but also the impassioned rhythm, the throb and the urge of the music! The intertwined and intermingling vibrations from different instruments enchanted me. I could actually distinguish the cornets, the roll of the drums, deep-toned violas and violins singing in exquisite unison. How the lovely speech of the violins flowed and plowed over the deepest tones of the other instruments! When the human voice leaped up trilling from the surge of harmony, I recognized them instantly as voices. I felt the chorus grow more exultant, more ecstatic, upcurving swift and flame-like, until my heart almost stood still. The women’s voices seemed an embodiment of all the angelic voices rushing in a harmonious flood of beautiful and inspiring sound. The great chorus throbbed against my fingers with poignant pause and flow. Then all the instruments and voices together burst forth—an ocean of heavenly vibration—and died away like winds when the atom is spent, ending in a delicate shower of sweet notes.


Alvin York


Charles Lindbergh


How We May Be Patriots

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